Add that to the existing excellent noise reduction by Izotope and the ability to utilize industry standard VST FX, and you have nice little audio toolkit. You can transform a bass into a soprano, or a soprano into a robot. If you were hoping your voiceover would sound like Joan Sutherland, but wound up with Pavrotti, AudioDirector 5 now has a gender-bender function. H.265 and XAVC-S are now supported as well. More granular title and transition editing makes PowerDirector 13 even more powerful. Cyberlink comes close to universal support of audio and video formats, but is still dragging its heels when it comes to image formats.
That’s a pretty common format to be omitting these days. On the other hand, I was nonplussed that the PhotoDirector 6 wouldn’t import a. Yes, you can take the one photo where junior isn’t crying and put his face in the one photo where you’re not exasperated to fool the grandparents.
#Cyberlink director suite 3 kickass series
PhotoDirector 6 has gained a very intelligent and effective (but rather slow) panorama builder that handles photos of the same subject that don’t necessarily share a horizon line, and a face swapper that allows you to utilize or merge the best expressions from a series of photos. It’s a simple thing, but it makes solving color problems in video much, much easier. The split-tone editing allows you to adjust color and levels separately for highlights and shadows. The results compare quite well with what I’ve seen from ProDAD’s Mercali and VirtualDub/Deshaker. The video stabilization works considerably better than previous iterations, producing fewer compensation artifacts such as jumps and black borders. As I shoot a lot of iffy video, I headed first to PowerDirector 13’s improved TrueTheater video image stabilization and ColorDirector 3’s split-tone video editing.
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